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作 者:毛宣国 MAO Xuanguo(College of Literature,Changsha Normal University,Changsha,Hunan 414000)
出 处:《中国文学研究》2023年第1期114-122,157,共10页Research of Chinese Literature
基 金:国家社会科基金课题“诗经阐释与中国古代诗学观念的演进研究”(14BZW009)。
摘 要:《诗经原始》是中国《诗经》学史上的重要著作,本文在文学与经学不可分离的诗学解释学背景下探讨了《诗经原始》文学解读的可能性,强调《诗经原始》无论是以经学教化的眼光看待《诗》,还是对《诗》做出富有美感和诗意的阐释,都能立足于文本,以“务探诗人意旨”为目的。它所提出的“读《诗》当涵咏全文,得其通章大意”等解读原则与方法,以及从诗体自身看待《诗》之正变、以“托辞”言《诗》等,都做到了从文本出发、重视文本细读,重视读者涵咏体验在《诗》的解读活动中的重要性。这一切,相对于中国诗学史上长期占据主导地位的以“自得“”私意”参与作品的释义、轻视本文客观释义的理论来说,无疑体现出新的特征,丰富了中国古代文本诗学理论的内涵。The Original Book of Songsis an important work in the history of the study of The Book of Songs in China. This paper discusses the possibility of literary interpretation of The Original Book of Songs under the background of Poetic Hermeneutics,which is inseparable between literature and classics. It emphasizes that The Original Book of Songs can be based on the text and aim to“explore the meaning of the poet”whether it views the poem from the perspective of Confucian enlightenment or makes an aesthetic and poetic interpretation of the poem. The interpretation principles and methods proposed by it,such as“reading the poem should include the full text and get the general idea of the chapter”,as well as looking at the positive changes of the poem from the poetic style itself and saying the poem with“allegorical word”,have achieved the importance of starting from the text,paying attention to the close reading of the text and the reader’s chanting experience. All this undoubtedly reflects new characteristics and enriches the connotation of ancient Chinese text poetics,compared with the theory that has long dominated the history of Chinese poetics.
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