从“危机女性”叙事看抗战文化性别建构  

On the Construction of Gender Culture during the War of Resistance Against Japanese Aggression from the Literary Narration of “Crisis Women”

作　　者：程亚丽 CHENG Yali(School of Humanities,Shanghai Jiao Tong University,Shanghai 200240)

机构地区：[1]上海交通大学人文学院,上海200240

出　　处：《中国文学研究》2023年第1期139-148,共10页Research of Chinese Literature

基　　金：国家社会科学基金一般项目“抗战时期女性文学叙事研究”(12BZW100)。

摘　　要：抗战时期文艺媒介中存在大量的性别化的“女英雄”符号的复制与再生产,从抗战时期各种报刊史料中可以探寻抗战文化性别建构的逻辑与叙述策略,进而发现文艺家们想象、构造战时“危机女性”的制作过程与匠心。那些不无夸饰色彩的奋勇杀敌报国的抗日女英雄,送子参军、甘于奉献的伟大母亲及当兵男人身后的无私妇女,皆是作为抗战文化大力弘扬的性别符号,这既是出自文人回应社会期待、大众心理的文化自觉,又尤其符合民族国家意识形态的需要。During the War of Resistance Against Japanese Aggression,there were a lot of copies and reproduction of sexualized“heroine”symbols in literary media. From various modern periodical data during the War of Resistance Against Japanese Aggression,we can explore the logic and narrative strategy of cultural gender construction in the War of Resistance Against Japanese Aggression,and then discover the creative process and ingenuity of writers and artists to imagine and construct the wartime“crisis women”. The Counter-Japanese heroines who bravely killed the enemy and served the country,the great mothers who sent their sons to join the army and were willing to contribute,and the selfless women behind the men who served as soldiers were all gender symbols vigorously promoted by the Counter-Japanese War culture,which was not only the cultural consciousness of the literati responding to social expectations and public psychology,but also in line with the needs of the national state ideology.

关 键 词：危机女性 民间形态 性别建构 

分 类 号：I206.6[文学—中国文学]