《文选》五臣注与开元初年的文学风向——从阮籍《咏怀十七首》注说起  

The Five Ministers’Notes on Wenxuan and the Literary Trend in the Early Kaiyuan Period:From the Notes on Ruan Ji’s“Seventeen Songs of Chanting”

作　　者：邢乐萌 XING Le-meng

机构地区：[1]中国人民大学文学院,100872

出　　处：《杜甫研究学刊》2023年第1期90-100,126,共12页Journal of Du fu Studies

摘　　要：《文选》五臣注力求阐明阮籍《咏怀诗》中物象与时政之间紧密的对应关系,开启了以本意索隐的方式解读《咏怀诗》的路径,在阮籍《咏怀诗》阐释史中有着开拓意义。这种注释方法不仅来自于《文选》旧注的直接影响,而且有向《毛诗》学与《楚辞》学取法的痕迹。五臣注的出现与开元初期唐玄宗的文学需求、《文选》在科举教育中的地位、五臣对前代《文选》学的驳斥有着密切的关系,同时反映出这一时期诗学观念与注释功能的转变。The Five Ministers’Notes on Wenxuan seeks to elucidate the close correspondence between objects and current affairs in Ruan Ji’s“Seventeen Songs of Chanting”,opening the way to their interpretation by means of an index of the original meaning,which has pioneering significance in the history of their interpretation.This method of exegesis is not only directly influenced by the old commentaries of Wenxuan,but also has traces of taking the approach from the Book of Songs and the Songs of Chu.The emergence of The Five Ministers’Notes is closely related to the literary needs of Emperor Xuanzong of the Tang Dynasty in the early Kaiyuan period,the status of the Wenxuan in the education of the imperial examinations,and the five ministers’refutation of the previous studies on Wenxuan.It also reflects the change in the concept of poetics and the function of commentary in that period.

关 键 词：《咏怀诗》 《文选》 五臣注 开元诗学 

分 类 号：I207.22[文学—中国文学]