塞利纳《长夜行》的游戏构建  

The playful construction of Louis-Ferdinand Céline of Voyage au bout de la nuit

作　　者：余沛林 Yu Peilin

机构地区：[1]北京外交人员语言文化中心

出　　处：《法语国家与地区研究（中法文）》2023年第1期58-65,共8页Etudes Francophones

摘　　要：游戏意识贯穿塞利纳的处女作《长夜行》。作者通过人物之间的玩笑、对社会构建的讽刺及大量的文字游戏等一系列游戏构建,刻画战乱时期的动荡社会以及人物悲哀的生存境遇,同时使文本呈现对传统书写模式颠覆性的批判。本文借助沃芙的游戏理论,试从人物矛盾、社会批判意识以及文字游戏三个角度,从作品内容和文本形式两方面,探讨作者如何通过游戏构建暴露个体和社会在战乱时期的脆弱性,由此体现塞利纳对社会底层边缘人物的关怀精神。A playful conscience runs through Louis-Ferdinand Céline’s first work Voyage au bout de la nuit. Through playful constructions such as inter-character banters, irony of social construction, and a lot of word games, the author depicted the social turbulence and the plight of the characters during the wartime upheaval, which allows the novel to demonstrate subversive criticism against the traditional writing model. Based on the theory of the game proposed by Partricia Waugh, through conflicts between characters, the critical spirit of society and word games, this study aims to analyze how Louis-Ferdinand Céline exposes precariousness of individuals and society during the war through playful construction,which also demonstrates the author’s concern for marginalized characters in society.

关 键 词：塞利纳 《长夜行》 游戏构建 

分 类 号：I3[文学—其他各国文学]