论渔父词系列词调的发展与词史意义——以唐宋金元词为考察对象  

On the Development and Significance of Ci History of Seriesof Yufu Ci s Tonal Patterns

作　　者：徐艳丽 XU Yan-li(School of Chinese Language and Literature,Hebei University,Baoding 071000,China)

机构地区：[1]河北大学文学院,河北保定071000

出　　处：《西华师范大学学报（哲学社会科学版）》2023年第1期41-50,共10页Journal of China West Normal University:Philosophy & Social Sciences

基　　金：河北省社会科学基金项目(HB19ZW015);河北省研究生创新项目(HBU2023BS048)。

摘　　要：渔父词在发展演进中以张志和渔父体、双片渔歌子体和渔家傲体三大词调为主,此外还有其他以“渔父”相关名称命名的词调。渔父词系列词调在唐五代形成并发展定型,到宋代复杂多变,词调体式和功能上趋于多样化,且出现《渔父》《渔家傲》和《渔歌子》三个词调混淆乱用的现象。金元时期渔父词创作趋于衰落,但亦有词调题名和演唱形式的新变。元代渔父词在功能上作为道教词和题画词广泛流行。渔父系列词调发展史的梳理对揭示部分词体源自声诗的嬗变方式、词作调名与题名的嬗变,以及词调发展过程中以“乐”为主、以“词”为辅的特点等问题都具有重要的学术意义。In the course of its development,Yufu ci is mainly composed of Zhang Zhihe s style of Yufu,double pieceYugeZi styleand Yujia Ao style.In addition,there are other tonal patterns named after related name of“Yufu”.The series of Yufu ci s tonal patterns formed and developed in the Tang and the Five dynasties.In the Song dynasty,they became complicated and varied,and their tonal styles and functions tended to be diversified.As a result,the three tonal patterns of Yufu,Yujia Ao and YugeZi were confused and used in confusion.During the Jin and Yuan dynasties,the creation of Yufu ci tended to decline,but there were also new changes in the title of tonal patterns of ci and singing form.Yufu ci was widely popular as Taoist ci and inscription on pictures in the Yuan dynasty.It is of great academic significance to sort out the development history of series of Yufu ci s tonal patterns to reveal the evolution mode of some ci styles derived from sound poems,the evolution of tonal name and title name,as well as the characteristics of the development of tonal patterns of ci with“music”as the main and ci as the auxiliary.

关 键 词：渔父词 唐宋金元词 体式 词调发展 词史意义 

分 类 号：I207.23[文学—中国文学]