浅析中国人物画色彩价值的转向与重构——以“浙派人物画”彩墨实践为例  

On the Transformation and Reconstruction of the Color Value of Chinese Figure Painting——Take the Color Ink Practice of"Zhejiang School Figure Painting"as an Example

作　　者：洪新莹 Hong Xinying(China Academy of Art)

机构地区：[1]中国美术学院中国思想史与书画研究中心

出　　处：《流行色》2023年第1期106-108,共3页Fashion Color

摘　　要：本文简要探讨了20世纪浙派人物画的彩墨实践在中国画色彩价值转向中的重要作用。通过梳理传统人物画色彩观中的道德内涵,及新文化运动对色彩价值的科学或情感转向,本文认为“浙派人物画”正是在这样的历史情境中,通过对彩墨问题的讨论,构建了以民族性为基础,兼顾色墨互融又大胆吸收非传统色彩的新色彩观。希望通过本文,有助于在对西方价值祛魅的今天,对人物画如何立足传统进行色彩发展有一定的借鉴意义。This paper briefly discusses the important role of the color ink practice of Zhejiang School figure painting in the color value shift of Chinese painting in the 20th century.By sorting out the moral connotation of the color concept of traditional figure painting and the scientific or emotional turn of the New Culture Movement to the value of color,this paper believes that"Zhejiang School figure painting"is precisely in such a historical context.Through the discussion of the color ink problem,it has constructed a new color concept based on national character,taking into account the integration of color and ink,and boldly absorbing non-traditional colors.It is hoped that this article will be helpful to the development of color in figure painting based on tradition in today's disenchantment of western values.

关 键 词：色彩 人物画 道德 浙派人物画 

分 类 号：J21[艺术—美术]