论贾平凹早期创作风格及其转型  

On Jia Pingwa’s Early Aesthetic Style and Transition

作　　者：何静姝 HE Jing-shu(Graduate School,Xi’an International Studies University,Xi’an 710128,China)

机构地区：[1]西安外国语大学研究生院,陕西西安710128

出　　处：《西北大学学报（哲学社会科学版）》2023年第2期150-155,共6页Journal of Northwest University：Philosophy and Social Sciences Edition

摘　　要：贾平凹1973年开始发表作品,至今已走过近五十载创作历程。有当代中国文坛“常青树”之称的他,是20世纪七八十年代中国社会、文化、思想及文艺界巨变的亲历者和见证者,与“新时期”文学同步,其创作史上第一次转折即出现在1977年前后。考察此阶段贾平凹的文学风格及美学转向,对探究其中后期美学风格的生成有关键作用,同时也对研究当代中国社会历史、文化思潮和文学场域有重要意义。Having published his works in 1973,Jia Pingwa has gone through the literary creation of 47 years.As the“evergreen tree”of contemporary Chinese literature,he is not only a practitioner but a witness to the great changes in Chinese society,culture,ideology and the circle of literature and art in the 1970s and 1980s.After the end of the Cultural Revolution,the first turning point arose in his literary creation in 1977.This paper explores Jia Pingwa’s literary style and aesthetic transition between the 1970s and 1980s,which exerts an essential influence on both the generation of his aesthetic styles in the middle and late periods and the research of the contemporary Chinese social history,cultural ideological trends and aesthetic fields.

关 键 词：贾平凹 早期风格 文艺论争 美学转型 

分 类 号：I206.7[文学—中国文学]