演奏中的声音美学——以肖邦夜曲为例  

On the Embodiment of Sound Aesthetics in the Performance——Case Study of the Performance of Chopin’s Nocturnes

作　　者：米克拉依·艾山 Mikelayi Aishan(Xinjiang Arts University,Urumqi 830049)

机构地区：[1]新疆艺术学院,乌鲁木齐830049

出　　处：《新疆艺术学院学报》2023年第1期35-40,共6页Journal of Xinjiang Arts University

摘　　要：在美学范畴中,艺术美学根据内容与形式可以分为多种,其中音乐美学是对音乐艺术美规律的研究。音乐美学包含对音乐的形式、作品的体裁、乐器的运用、声音的表达等多种内容。音乐的第一审美就是对声音的审美,当你要去感受音乐时,首先要学会的就是感受和认识声音的美学。“声音美学”这个概念,在世界音乐研究范围内还没形成完全固定的概念,因此,“声音美学”研究具有深远的意义。本文重点通过对肖邦夜曲的演奏分析来研究肖邦“声音美学”的各个细节。In the aesthetic category, art aesthetics can be divided into many types. Among them, music aesthetics is a study of the law of the beauty of music art, which includes the form of music, genre of music work, use of musical instruments, expression of sound, etc.The first aesthetic content of music is the aesthetic appreciation of sound. When you want to feel music, you should first learn to feel and understand the aesthetics of sound. The idea of "sound aesthetics" has not yet formed a completely fixed concept within the scope of world music research, so it has a far-reaching research value.This paper focuses on the exploration and study into the details of "sound aesthetics" in Chopin’s nocturnes through the analysis of their performance.

关 键 词：肖邦夜曲 声音美学 敏感体现 演奏技法 

分 类 号：J624.1[艺术—音乐]