日本“无赖派”与美国“垮掉派”文学意象之异同  

The Similarities and Differences of Literary Images between Japanese“Rogue Faction”and American“Beat Generation”

作　　者：赵御博 易国定[1] ZHAO Yubo;YI Guoding(School of Chinese Language and Literature,Liaoning Normal University,Dalian Liaoning 116029,China)

机构地区：[1]辽宁师范大学文学院,辽宁大连116029

出　　处：《鞍山师范学院学报》2022年第5期60-63,共4页Journal of Anshan Normal University

基　　金：辽宁省社会科学规划基金重点项目(L13AWW001)。

摘　　要：“二战”摧毁了彼时的生活与文学土壤,日本“无赖派”文学与美国“垮掉派”文学在这样的背景下应运而生,二者消极、颓废的精神风貌可谓殊途同归。这两种文学的意象具有相似性与差异性。对于相似性来说,二者对所使用的意象均进行了美感上的消解;对于差异性而言,“无赖派”文学更青睐于转瞬即逝、生命短暂之物,基调悲观,而“垮掉派”文学则倾向于粗粝坚韧、生命旺盛之物,基调乐观。基于此,从民族精神、审美特征与自然风貌等角度深入探究两流派文学意象之异同。The World War II destroyed the life and literary soil at that time.Japanese“Rogue Faction”literature and American“Beat Generation”literature came into being under this background.Their negative and decadent spiritual outlook can be said to be the same.There are similarities and differences in the images written by these two literary schools.For the similarity,both of them have cleared up the images used in aesthetic sense;as for the difference,the“rogue faction”literature prefers the things that are fleeting and short-lived,and its tone is pessimistic.The“Beat Generation”literature tends to be rough,tough,vigorous and optimistic.This paper will explore the similarities and differences between the literary images of two schools from the perspective of national spirit,aesthetic characteristics and natural features.

关 键 词：“无赖派” “垮掉派” 文学意象 意象文化 意象美感 

分 类 号：I106[文学—世界文学]