论函可诗歌审美特征的变迁  

Study on Changes in the Aesthetic Characterities of Han Ke’s Poetry

作　　者：杨金戈[1] 彭子洲 YANG Jin-ge;PENG Zi-zhou(School of Literature and Journalism,Inner Mongolia Minzu University,Tongliao 028043,China)

机构地区：[1]内蒙古民族大学文学与新闻传播学院,内蒙古通辽028043

出　　处：《内蒙古民族大学学报（社会科学版）》2022年第5期86-92,共7页Journal of Inner Mongolia Minzu University：Social Sciences

基　　金：国家社会科学基金重大项目“历代北疆纪行文学文献的整理与研究”(项目编号:19ZDA281)。

摘　　要：函可,明末清初诗人,于顺治五年(1648年)谪戍盛京慈恩寺,此后留守辽东直至去世。函可所作一千四百余首诗由其弟子友人整理编订成集,名曰《千山诗集》。在《千山诗集》中,写于不同时期的诗歌其审美特征展现出时间层面上的变化规律,具体可从意象建构、情感表达、创作旨趣三个角度进行概括。在诗歌审美特征的变化进程中,函可的诗歌对应地记录了函可个人的坎坷身世与复杂的心路历程,展现出独特的诗歌风貌。Han ke,a poet of the late Ming and early Qing dynasties,was relegated to Cien Temple in Shengjing in the fifth year of the reign of Shunzhi(1648)and stayed in Liaodong until his death. More than 1,400 poems written by Han kethat were compiled by his disciples and friends into a collection called Qianshan Poetry. In the Qianshan Poetry,the aesthetic characteristics of the poems written in different periods show a regularity of change over time,which can be summarized in three perspective: imagery construction,emotional expression,and writing Interest. In the process of changing aesthetic characteristics of poems,Han ke’s poems correspondingly record Han ke’s difficult personal life and complicated mental journey,showing a unique poetic style.

关 键 词：函可 《千山诗集》 诗僧 

分 类 号：I206.2[文学—中国文学]