抒情语境中的物象写意——论蒙古族汉语散文的审美意象  

Ideographic Writing of Images in Lyrical Context——On the Aesthetic Image of Mongolian Chinese Prose

作　　者：白叶茹[1] BAI Ye-ru(College of Liberal Arts&Journalism,Inner Mongolia University,Hohhot 010021,China)

机构地区：[1]内蒙古大学文学与新闻传播学院,内蒙古呼和浩特010021

出　　处：《内蒙古民族大学学报（社会科学版）》2022年第5期93-98,共6页Journal of Inner Mongolia Minzu University：Social Sciences

摘　　要：新时期蒙古族汉语散文在其发展的自律中收获了几种抒情形态,其中象征性意象散文和原型性意象散文成就凸显。象征性意象散文注重继承,在纵向传承中体现了传统的深度。原型性意象散文则更多时候接受外来的影响,在横向借鉴中触及了创新的厚度。Mongolian Chinese prose in the new period has acquired several lyric forms in its self-disciplined development,among which symbolic image prose and prototype image prose have made outstanding achievements. Symbolic image prose pays attention to inheritance and embodies the depth of tradition in vertical inheritance. While the prototype image prose accepts the external influence more often and touches the thickness of innovation in the horizontal reference.

关 键 词：蒙古族汉语散文 抒情语境 物象写意 象征性意象 原型性意象 

分 类 号：I207.9[文学—中国文学]