民间戏曲与多重话语的影像构建——以赵冬苓《北方有佳人》为例  

Video Construction of Folk Opera and Multiple Speeches——Taking Zhao Dongling’s Beauty in North as an Example

作　　者：董艳[1] DONG Yan(Drama and Film and Television College of Shenyang Conservatory of Music,Shenyang 110168,China)

机构地区：[1]沈阳音乐学院戏剧影视学院,沈阳110168

出　　处：《济宁学院学报》2023年第1期95-99,107,共6页Journal of Jining University

摘　　要：电视剧《北方有佳人》出自“主旋律”大户金牌编剧赵冬苓之手。此剧不仅用镜头艺术将具有独特魅力的民间戏曲艺术的多元性、复杂性和丰富性展示出来,而且将主流话语所倡导的意识形态、精英文化所探求的人类灵魂与生存意义的哲学思考,连同遵循大众话语的快乐叙事原则有机融合,努力实现一种和谐的叙事平衡,逐步形成自己鲜明的品牌,为彰显中华传统文化的精神内涵、讲好中国故事提供了典型范例。The TV drama Beauty in North was written by Zhao Dongling, a famous screenwriter of the “main melody”. This TV drama uses the lens art to show its multiple speeches functions with the narrative strategy of expressing the diversity, complexity and richness of folk opera art. It combines the ideology advocated by mainstream speeches, the philosophical thinking about the human soul and the meaning of existence pursued by elite culture, and following the principle of happy narrative public speeches, striving to achieve a harmonious narrative balance, and gradually formed its own distinctive brand, providing a typical example for highlighting the spiritual connotation of Chinese traditional culture and telling Chinese stories well.

关 键 词：赵冬苓 《北方有佳人》 民间戏曲 多重话语 

分 类 号：J905[艺术—电影电视艺术]