梦的奇观缔造:论达利的电影实践与审美特征  

The Creation of Spectacular Dream: On Salvador Dali’s Cinema Practices and Their Aesthetic Characteristics

作　　者：唐子文 李瑞阳 TANG Ziwen;LI Ruiyang(School of Drama,Film and Television,Communication University of China,Beijing 100024;School of Music and Dance,Zhengzhou Institute of Science and Technology,Zhengzhou 450001,China)

机构地区：[1]中国传媒大学戏剧影视学院,北京100024 [2]郑州科技学院音乐舞蹈学院,河南郑州450001

出　　处：《济宁学院学报》2023年第1期100-107,共8页Journal of Jining University

摘　　要：超现实主义艺术家萨尔瓦多·达利所参与的电影实践目前还没有得到足够的研究。尽管达利主要是作为编剧的身份参与到电影实践中去,但作为二十世纪最重要的艺术家之一,他对电影所产生的影响远不逊于同时代任何一位重要导演。梳理达利的电影实践过程,总结达利电影实践中所表现的超现实主义电影的“反艺术”美学倾向,探寻电影中梦的表达方式与艺术价值,见出其在世界电影史上的独特位置及其留下的“电影遗产”。The film practices of the Surrealist artist Salvador Dal have not been adequately studied. As one of the most important artists of the twentieth century, although Dal mainly participated in film practice as a screenwriter, his influence on film was no less than that of any important director of his time. By sorting out Dal’s film practice process, the essay summarizes the Anti-artistic aesthetic characteristics of Dal’s surrealist films, explores the expression and artistic value of dreams in cinema, and explains Dal’s unique position in the history of world film and the “film heritage” he left.

关 键 词：萨尔瓦多·达利 超现实主义电影 反艺术 梦与现实 

分 类 号：J904[艺术—电影电视艺术]