唐宋乐调研究  

A Study on the Musical Tunes of Tang and Song Dynasties

作　　者：庄永平[1] Zhuang Yongping

机构地区：[1]上海艺术研究所,上海201103

出　　处：《南京艺术学院学报（音乐与表演版）》2022年第6期1-6,I0001,共7页Journal of Nanjing Arts Institute:Music & Performance

摘　　要：唐宋乐调为我们留下了很多难点与困点,要解决这些难点与困点必须把它们捆绑在一起研究才行。例如,从隋初郑译与外来苏祗婆乐调对应起;唐代正宫的产生;黄钟宫的似乎消失;侧商调的实质;以及《敦煌乐谱》《三五要录》等谱的解译;日本雅乐中对某些乐调的误判;宋代出现的无射宫与姜白石认为的侧商调运用等,都必须联系在一起,才能真正解开唐宋乐调的历史之谜。Tang and Song musical tunes have left us many difficulties. To solve these difficulties, we must study them together. For example, from the early Sui period when Zheng’s translation corresponded with the foreign Su Zhi Po tune;(Tang) The emergence of the zheng gong;The huang zhong gong seems to disappear;The essence of the ce shang diao;And the interpretation and translation of the Dunhuang Yue Pu(Tang Dynasty) and the San Wu Yao Lu(Japan);The misjudgment of certain musical tunes in Japanese Gagaku;The emergence of the wu she gong in the Song Dynasty and Jiang Baishi’s view of the use of the ce shang diao must be linked to truly solve the historical mystery of Tang and Song musical tunes.

关 键 词：唐宋乐调 正宫 黄钟宫 侧商调 《敦煌乐谱》 《三五要录谱》 

分 类 号：J609[艺术—音乐] J605