仪式音乐表演民族志研究的学术走向与方法论意义——《音乐民族志方法导论:以中国传统音乐为实例》教学与辅导之十三  

The Academic Trend and Methodological Significance of Ethnographic Research on Ceremonial Music Performance——Teaching and Coaching(part 13) for An Introduction to the Methods of Music Ethnography:Taking Chinese Traditional Music as an Example

作　　者：杨民康[1,2,3] Yang Minkang

机构地区：[1]中国音乐学院,北京100101 [2]云南艺术学院,云南昆明650500 [3]中央音乐学院,北京100031

出　　处：《南京艺术学院学报（音乐与表演版）》2022年第6期203-210,I0002,共9页Journal of Nanjing Arts Institute:Music & Performance

基　　金：北京市教委科技创新服务能力建设——“双一流”建设经费(20)支持项目“中国乐派合作研究计划”(项目编号:10201013(007))的阶段性成果。

摘　　要：从跨学科和元理论角度探讨中国传统音乐及中国民族音乐学的方法论问题,不仅涉及自身学科、学术和话语体系的系统化、精微化建设,并且还关乎我们如何认清这些理论建设和实践行为在历时性与共时性学术空间中的坐标和走向,进而向国际学术前沿迈进的问题。中国民族音乐学研究领域如今出现了“仪式音乐表演民族志”这样的学术称谓,标示了该研究方向领域从开初的“宗教音乐研究”变更为“仪式音乐研究”和“仪式音乐民族志研究”,如今更进一步出现了“仪式音乐表演民族志研究”的转向,以此凸显了一些以往由于具有不确定性因素而悬而未决的学术观念及研究倾向。目前后者已经成为一个相对成熟的学术概念,有了相关的学术研究群体,同时也经过整合,成为民族音乐学中国实践或中国经验的一个重要组成部分。其中或许已经包含了某些虽然基于艺术领域,但能够对其他人文社会科学研究领域起到补充、参照乃至参与引领学术发展趋向作用的方法论范式的意义。它意味着在中国民族音乐学研究领域持续了近40年的仪式音乐研究方向,在前辈学人的开拓牵引及几代学子的继承和传递下,有了一个阶段性的学术结论。Discussing the methodology of Chinese traditional music and Chinese ethnomusicology from the perspective of interdisciplinary and metatheory involves not only the systematic and subtle construction of its own discipline, academic and discourse system, but also the matter of how we can recognize the coordinates and trends of these theoretical construction and practice in the diachronic and synchronic academic space, and then move forward to the international academic frontier. The academic title of "ethnography of ceremonial music performance" has emerged in the research field of Chinese ethnomusicology, indicating that the research direction has changed from "religious music research" at the beginning to "ceremonial music research" and "ethnography of ceremonial music research", and now there is a further turn of "ethnography of ceremonial music performance". This highlights some academic concepts and research trends that have been pending due to uncertain factors in the past.At present, the latter has become a relatively mature academic concept with relevant academic research groups, and has also become an important part of the Chinese practice or experience of ethnomusicology through integration. It may have included the significance of some methodological paradigms that, although based on the field of art, can complement,reference and even participate in leading the academic development trend in other fields of humanities and social sciences. It means that the research direction of ceremonial music, which has lasted for nearly 40 years in the field of Chinese ethnomusicology, has reached a phased academic conclusion under the guidance of the pioneering efforts of previous scholars and the inheritance and transmission of several generations of students.

关 键 词：仪式音乐表演民族志 音乐民族志方法导论 民族音乐学 仪式音乐研究 

分 类 号：J605[艺术—音乐] J607