唐蕃古道上的国色天香——清代青海地区牡丹欣赏的三个面相及文化意义  

National Beauty and Heavenly Fragrance on Tang-Tibet Ancient Road——Three Faces and Cultural Significance of Peony Appreciation in Qinghai Area in Qing Dynasty

作　　者：韩芳[1,2] HAN Fang

机构地区：[1]山东大学,山东济南250013 [2]青海师范大学,青海西宁810003

出　　处：《青海民族研究》2022年第4期218-224,共7页Qinghai Journal of Ethnology

基　　金：教育部哲学社会科学研究重大课题攻关项目“唐代丝绸之路文学文献整理与研究”(批准号:20JZD047)阶段性成果。

摘　　要：唐蕃古道上的青海地区,自然环境、人文环境与中原地区有较大区别,人们对牡丹的欣赏亦有一定的差异。在民间,各民族群众共爱牡丹,呈现牡丹文化美美与共的艺术奇观;本籍士子既接受了传统牡丹欣赏中积淀的文化内涵,又可以坦然清赏牡丹,赞赏白牡丹兼具美丽、富贵与淡雅超俗之韵,表现出追求卓越出群、圆满融通的文化心理;在客籍官员那里,牡丹与“出塞”相连,是历史记忆与现实经验的双重负载,不但代表中原、青春以及既往的美好岁月,也借此表达对职守的忠诚和对任职地的认同。三种文化面相下,潜藏着牡丹文化接受与传播中的身份之别、地域之差,体现了地区文化生态的复杂多元以及融通、创新,彰显了中华文化强大的凝聚力与向心力。Qinghai area, located on the trunk line of Tang-Tibet Ancient Road, has many differences in natural and cultural from the Central Plains, and people’s psychology of peony appreciation also has some differences in identity and regionalism. Local people of various ethnic groups love peony, sharing the beauty. The native scholars accept the peony’s cultural implication, and can also appreciate the peony frankly,the white peony’s beauty,rich and otherworldly, which shows the cultural psychology of pursuing excellence and perfect harmony. For officials, peony connected with " coming out to border area ", which is a double load of historical memory and realistic experience. Peony not only represents the Central China, youth and the good old days, but also expresses their devotion to duty and regional identification. Under the three faces, there are hidden some identities and regional differences in the acceptance and dissemination of local culture, which reflects the complexity, diversity, integration and innovation of regional cultural ecology, and also highlights the strong cohesion and centripetal force of Chinese culture.

关 键 词：唐蕃古道 牡丹 身份 地域 文化意义 

分 类 号：C95[社会学—民族学]