中国山水画艺术中“留白”的作用及构图设计策略  

The Role of“Blank”in Chinese Landscape Painting and Its Composition Design Strategy

作　　者：杨承鸿[1] YANG Chenghong(Xian Academy of Fine Arts,Xi'an 710065,China)

机构地区：[1]西安美术学院,陕西西安710065

出　　处：《鞋类工艺与设计》2023年第3期106-108,共3页SHOES TECHNOLOGY AND DESIGN

摘　　要：“留白”是中国山水画创作构图中的重要表现形式,不仅展现了作画者在构图过程中的哲学思想,还体现了作画者创作过程中“虚实结合”的审美内涵。以中国山水画艺术中的“留白”为研究对象,分析了“留白”在山水画构图创作中的作用;结合“留白”艺术表现手段,提出了层次分明、空而不空、黑白鲜明的构图设计策略,以期通过研究有效提升山水画艺术的构图效果,从而赋予作品更深层次的内涵。“Blank”is an important form of expression in the composition of Chinese landscape painting.It not only shows the painter’s philosophy in the process of composition,but also reflects the aesthetic connotation of“combination of virtual and real”in the process of painting.Taking the“blank”in the art of Chinese landscape painting as the research object,this paper analyzes the role of“blank”in the composition of landscape painting;Combined with the artistic expression means of“leaving blank”,the composition design strategy of clear layers,empty but not empty,and bright black and white is put forward in order to effectively improve the composition effect of landscape painting art through research,thus giving the work a deeper connotation.

关 键 词：中国山水画 “留白” 构图设计 艺术形式 审美 

分 类 号：J212[艺术—美术]