当代油画语言的意象审美建构  

Building Image Aesthetics in Contemporary Oil Painting

作　　者：翟勇 Zhai Yong

机构地区：[1]上海师范大学美术学院

出　　处：《美术》2023年第2期72-75,共4页Art Magazine

摘　　要：当代油画语言的多样性折射出中国当代艺术发展中的多元语境,以及由此形成的审美特征。在当代油画多样的表现方式中,意象性语言是其中极为重要的部分,也是构成写意油画的基础。写意油画语言植根于中国传统,在百余年的发展中形成十分独特的审美趣味和价值体系,在语言和形态上都与西方油画形成明显的差异,成为当代油画创作中极具时代文化特征的新形态。值得注意的是,当代写意油画在技巧和观念两端都拓宽了中国油画创作的深度与宽度,同时也面临着意象审美建构的重要课题。Diversified contemporary oil painting results in special aesthetics and a diversified environment for contemporary art development in China.Among many contemporary oil painting forms,image constitutes an extremely important part and the basis of freehand oil paintings.Freehand oil painting is rooted in Chinese traditions,and has formed unique aesthetic tastes and a value system in its more than 100 years of development.It is obviously different from western oil painting and has become a new form with cultural characteristics.It is worth noting that contemporary freehand oil painting has broadened Chinese oil painting in technique and concept,and at the same time is confronted with the important issue of building image aesthetics.

关 键 词：当代油画 意象语言 意象审美 

分 类 号：J213[艺术—美术]