革命历史题材舞剧创作的突破与反思——以《骑兵》为例  

A Breakthrough and Reflection on the Creation of Dance Drama with Revolutionary Historical Themes: Taking Cavalry as an Example

作　　者：龚倩 GONG Qian(School of Art and Architecture,Central South University,Changsha 410083,China)

机构地区：[1]中南大学建筑与艺术学院,长沙410083

出　　处：《北京舞蹈学院学报》2022年第6期5-9,共5页Journal of Beijing Dance Academy

基　　金：国家社科基金艺术学项目“文化语境嬗变之下的中国当代舞剧创作形态演进研究”(项目编号21BE078)研究成果。

摘　　要：在当代革命历史题材的舞剧创作中,如何将艺术精神的显现、人性光辉的映射、民族情怀的彰显与舞剧的技术手段、符号语言等进行有机融合是值得创作者们再度思考的问题。革命历史题材舞剧《骑兵》是铸牢中华民族共同体意识的一部艺术实践案例,在一定程度上,给当代革命历史题材的舞剧创作以借鉴:第一,该剧体现出国家认同视域下民族集体记忆的传承。第二,该剧对革命英雄人物于动态成型中进行微雕。第三,该剧在挖掘有别于“文学构成戏剧性”的“舞台呈现戏剧性”方面进行了探索。第四,该剧对典型艺术形象塑造与文化符号建构进行了探索,如对民族文化基因传承与典型形象塑造、文化符号构建进行连通等。In the creation of dance dramas with contemporary revolutionary historical themes, how to integrate the manifestation of artistic spirit, the reflection of the brilliance of humanity, the highlight of national feelings, and the technological means and symbolic language of dance dramas is a problem worthy of rethinking by creators. The dance drama Cavalry with revolutionary historical theme is an example of artistic practice entrenching the consciousness of Chinese national community. To a certain extent, it can give reference to the creation of contemporary dance dramas with revolutionary historical themes. Firstly, this dance drama reflects the inheritance of national collective memory from the perspective of national identity. Secondly, it miniaturizes the revolutionary heroes in dynamic formation. Thirdly, it explores the “stage presenting theatricality”, which is different from the “literature composing theatricality”. Fourth, it discusses the shaping of typical artistic images and the construction of cultural symbols, such as the inheritance of national cultural genes, the typical image building, and the construction of cultural symbols.

关 键 词：《骑兵》 革命历史题材 舞剧创作 

分 类 号：J723.1[艺术—舞蹈]