中国瓷器研究在西方的肇建:以19-20世纪之交为中心  

On Chinese Ceramics Research in the West around the Turn from the 19th to 20th Centuries

作　　者：张睿锜 Zhang Ruiqi

机构地区：[1]上海大学文化遗产与信息管理学院

出　　处：《故宫博物院院刊》2023年第2期87-99,133,134,共15页Palace Museum Journal

摘　　要：16世纪以来,中国的外销瓷成为了欧洲贵族和富商所追捧的器物,并形成了“中国风”的热潮。到19世纪中期之后,随着科学主义精神的兴起和中国本土瓷器的大量外流,以英法两国为主的欧美学界开始了对中国瓷器的系统化研究。在19世纪末到20世纪初,学者们集中关注于瓷器的定义和分类等问题,并提出了“元青花”“过渡期”和“空白期”等沿用至今的概念。本文通过对这一时期学术史的梳理,可以帮助我们更好地理解中国瓷器研究作为一个学科在西方的建立过程。Chinese porcelain exported to Europe since 16th century inspired great enthusiasm among the noble and the rich in the local areas,from which‘China’s Style’was arising and going on for centuries.With the scientism rising and a large amount of Chinese porcelain spreading overseas by the late 19thcentury,the western academia with Britain and French scholars as the leading role first took up the systematic research to the porcelains made in China.They concentrated on the definition and types of wares during the late 19thto early 20thcenturies offering the proper terms such as‘Yuan blue-and-white’(Yuan Qīnghuā),‘transitional phrase’(Guòdu Qī)and‘interregnum phrase’(Kòngbái Qī),etc.still in use now.The academic review above is of help for further understanding of the process of Chinese porcelain studies coming out as a discipline in the west world.

关 键 词：中国瓷器研究 斯蒂芬·布绍尔 罗伯特·霍布森 亚历山大·波普 

分 类 号：J527[艺术—艺术设计]