敦煌涉蕃纪行诗的时空建构与文化传达——以敦煌诗集残卷唐佚名氏为例  

Space and Temporal Construction and Cultural Communication of Dunhuang Tibetan Poetry——Takes Tang Anonymous,a Remnant of the Dunhuang Poetry Collection,as an Example

作　　者：李梦巍 LI Mengwei(School of Literature and Journalism,Qinghai Minzu University,Xining 810000,China)

机构地区：[1]青海民族大学文学与新闻传播学院,青海西宁810000

出　　处：《忻州师范学院学报》2022年第6期25-30,共6页Journal of Xinzhou Teachers University

基　　金：青海民族大学研究生创新项目(01M2022002)。

摘　　要：现存于巴黎图书馆的敦煌诗集残卷P.2555文本,这本唐人诗文作品抄卷在唐代诗歌史上有独特的价值,其中佚名氏的涉蕃纪行诗更是具有较高的纪实意义。在诗人亲历四季与环境变换的过程中,他的诗中体现出了由诗人心境决定的心理时空的变化,并借助这种在诗学中的时空变化完成诗人的情感表达。通过对敦煌诗集残卷中涉蕃纪行诗所建构出的时空变化进行解读,能进一步分析诗人对战争下生命意义的关切以及对唐蕃民族关系密切关注下的文化传达。The remains of Dunhuang poetry P.2555 in the Paris Library,a copy of the Tang Dynasty,has unique value in the history of poetry in the Tang Dynasty,among which the anonymous poems of the Tibetan period are of high documentary significance.In the process of the poet experiencing the four seasons and the transformation of the environment,his poems reflect the change of psychological space-time and mind determined by the poet’s mood,and complete the poet’s emotional expression with the help of this time-time change in poetics.Through the interpretation of the space-time and space changes constructed by the Tibetan poetry in the remains of Dunhuang poetry,it can further analyze the poet’s concern about the meaning of life under the war and the cultural communication under the close attention to the national relations between the Tang and Tibetan.

关 键 词：涉蕃诗 时空建构 文化传达 

分 类 号：I207[文学—中国文学]