当代语境下的云南民族题材油画创作  

The Creation of Yunnan Ethnic-themed Oil Painting in the Contemporary Context

作　　者：何奎[1] 万云鹏[2] HE Kui;WAN Yunpeng(Baoshan University;Baoshan No.1 Middle School,Baoshan Yunnan 678000,China)

机构地区：[1]保山学院 [2]保山市第一中学,云南保山678000

出　　处：《保山学院学报》2023年第1期94-101,共8页JOURNAL OF BAOSHAN UNIVERSITY

基　　金：2020年度云南省哲学社会科学艺术科学规划项目“建国后云南民族题材绘画研究”(项目编号:A2020YM12)。

摘　　要：云南民族题材油画创作在经历20世纪80年代的辉煌并以独具地域特色的审美样式与群体标识确立了中国油画史上不可或缺的地位之后,云南油画在近四十年的发展中坚持从区域文化艺术生态出发,遵循艺术发展之路,开创了“蛮”“野”“怪”的具云南本土特色的艺术之路。然而,在当代全球化、图像化的时代背景下,云南民族题材油画创作面临诸多挑战。基于民族题材油画创作的文化思考,以艺术的视角铸牢中华民族共同体意识,加强各民族交往交流交融,提出立足区域形态,传承经典,注重生活,突出特色和紧跟时代旋律的发展之策。Following the brilliance of Yunnan ethnic-themed oil painting in the 1980s,it has established an indispensable position in the history of Chinese oil painting with its unique aesthetic style and group identification.In the past 40 years of development,Yunnan ethnic-themed oil painting creation has insisted on starting from the regional cultural and artistic ecology,followed the road of artistic development,and created an artistic road of“barbarian”,“wild”and“weird”with local characteristics.However,in the context of contemporary globalization and imagery,the creation of ethnic-themed oil paintings in Yunnan faces many challenges.Based on the cultural thinking of the creation of ethnic-themed oil paintings,this paper puts forward the development strategy based on regional form,inheriting classics,paying attention to life,highlighting characteristics and following the melody of the times,so as to strengthen the sense of community of the Chinese nation from the perspective of art and strengthen the communication and integration of various ethnic groups.

关 键 词：民族题材 油画创作 当代语境 审美与发展 云南 

分 类 号：J2[艺术—美术]