“凌厉”与“幽眇”:金时习晚年长篇汉诗风格探究  

“Sharp” and “Silent”:A Study on the Style of Kim Si-seup’s Long Chinese Poems in His Later Years

作　　者：李书宁 Li Shuning

机构地区：[1]北京外国语大学,北京100089

出　　处：《延边大学学报（社会科学版）》2023年第2期101-111,143,144,共13页Journal of Yanbian University：Social Science Edition

摘　　要：金时习晚年汉诗创作在思想与艺术方面都步入了纯熟的阶段,主要体现为“凌厉”与“幽眇”的艺术风格。“凌厉”之风是动态的,诗人通过遣词、用韵、意象的使用等得以使之呈现。诗人注重外部险恶环境的描摹,通过视角的移动,奇险意象的植入,打造龙潭虎穴中英雄独斗的画面,达到令人震悚的艺术效果。“幽眇”的风格则通过抒发忧伤情感的音韵、多样的手法以及幽深昏暗的诗相表现出来。情感基调常是低落的,色彩往往黯淡,时间多在黄昏或夜晚,视觉与听觉的共存,都使得诗句流淌着沉静的忧愁。二者一道构成金时习晚年汉诗的独特风格。Kim Si-seup’s Chinese poetry in his later years has entered a stage of proficiency in both thought and art.During this period,Kim Si-seup’s thoughts and feelings expressed in his poems are mainly reflected in the artistic styles of“sharp”and “silent”.The“sharp”style is dynamic,and the poet can make it appear through the use of words,rhymes,and strange and dangerous images.This style focuses on description of the external sinister environment.Through the movement of perspective and the implantation of dangerous images,the poet creates a picture of a hero fighting alone in a dangerous place,which achieves a shocking artistic effect.The style of “silent”is expressed through the rhymes with sad emotions,various techniques and dark poetic images.The emotional tone is usually low,the colors are often bleak,and the time is mostly at dusk or night.The coexistence of vision and hearing makes the poems flow with quiet sadness.Together they constitute the unique style of Kim Si-seup’s Chinese poetry in his later years,which provides the possibility to interpret Kim Si-seu’s works from different perspectives.

关 键 词：金时习 汉诗 艺术风格 “凌厉” “幽眇” 

分 类 号：I312.072[文学—其他各国文学]