由文学习语到文学创语——中国当代作家魔幻叙事的文学历程与民族化转向  

From Literary Imitation to Literary Innovation: the History of Contemporary Chinese Writers’ Magical Narratives and Nationalization Turn

作　　者：陈黎明[1] CHEN Li-ming(College of Chinese Language and Literature,Hebei University,Baoding 071002,China)

机构地区：[1]河北大学文学院,河北保定071002

出　　处：《宁波大学学报（人文科学版）》2023年第2期20-29,共10页Journal of Ningbo University：Liberal Arts Edition

基　　金：国家社会科学基金项目“中国当代作家魔幻叙事的民族化传统研究1979-2019”(20BZW161)。

摘　　要：在与拉美魔幻现实主义碰撞、磨合中生成和衍化的中国当代作家魔幻叙事,已走过了近40年的文学历程,这期间先后经历了模仿借鉴、转化创新阶段,并最终实现了魔幻叙事的民族化转向。中国当代作家魔幻叙事由文学习语到文学创语的嬗变,是中外文学互动磨合的结果,亦是民族自信与文化自信之体现,其中所蕴含的文学经验与启示,对于处理全球化语境下中国当代文学与域外文学的磨合、调适等问题具有重要意义。The magical narrative of contemporary Chinese writers is generated and derived from the collision and adaptation with Latin American magical realism. During the past 40 years, it has gone through several stages of imitation and reference,transformation and innovation, and finally realized the nationalization of the magical narrative. The evolution of contemporary Chinese writers’ magical narratives from literary imitation to literary innovation is the result of the interaction between Chinese and foreign literature, and is also the embodiment of national and cultural self-confidence. This kind of literary experience and enlightenment is of great significance for dealing with the adaptation between contemporary Chinese literature and foreign literature in the context of globalization.

关 键 词：中国当代作家 魔幻叙事 文学习语 文学创语 民族化转向 

分 类 号：I206.7[文学—中国文学]