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作 者:张彤彤 ZHANG Tongtong(School ofLiberal Arts,Anqing Normal University,Anqing 246011,China)
出 处:《皖西学院学报》2023年第1期99-103,共5页Journal of West Anhui University
基 金:安徽省高等学校人文社会科学研究项目(SK2020A290)。
摘 要:以“环太湖词圈”为核心的江南词学可谓明词重心,而明代安徽在行政区划、地缘和文化上与江南有着千丝万缕的联系,其词学思想与江南词学主流异同互见、富有特色,主要可以从四个角度来看:词体地位上总体上认为词为小道;风格旨趣上倾向柔靡近俗,且认为词曲演变与风格是受末世风气的影响;内容上主张陶写性情,抒发真情实感;功能上提出了缮心颐德、风正教化的期待。明代安徽词学思想与江南词学主流的离合间展现了明代词学的丰富与多元。Jiangnan Ci-poems,whose core is the“Ci-poems circle around Taihu Lake”,can be said to be the center of Ci-poems in the Ming Dynasty.At that time,Anhui was inextricably linked with Jiangnan in administrative divisions,geography and culture.The theory of Anhui Ci-poems in the Ming Dynasty had its own uniqueness,which was not completely consistent with the mainstream of theory of Jiangnan Ci-poems.It can be seen mainly from four perspectives,which could show the richness and diversity of Ci-poems in Ming Dynasty.From the status of the Ci-poems,it regarded the Ci-poems as a humble literature.As for the style of the Ci-poems,it tended to be soft and nearly vulgar,and it is believed that the evolution and style of Ci-poems is influenced by the doomsday atmosphere.In terms of content,it advocated to express the true feelings.In terms of function,theory of Anhui Ci-poems put forward the expectation of education.
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