湄洲妈祖祭典音乐文化与旅游产业的深度融合  

In-depth Integration of Music Culture and Tourism Industry for Mazu Sacrifice in Meizhou

作　　者：连一苹[1] 许叶蓁[2] LIAN Yi-ping;XU Ye-zhen(Department of Preschool Education,Meizhouwan Vocational Technology College,Putian 351100,China;Conservatoire,Fujian Normal University,Fuzhou 350000,China)

机构地区：[1]湄洲湾职业技术学院学前教育系,福建莆田351100 [2]福建师范大学音乐学院,福建福州350000

出　　处：《赤峰学院学报（哲学社会科学版）》2023年第2期26-30,共5页Journal of Chifeng University：Philosophy and Social Science Chinese Edition

基　　金：福建省中青年教师教育科研项目(JAS21677)。

摘　　要：湄洲妈祖祭典音乐内容丰富、特色鲜明、品种繁多,其音乐类型大多数仍处在“养在深闺人未识”或是尽管有一些为世人所了解,却没有相关的旅游配套开发。本文从音乐社会学、民族音乐学的视角,借鉴语言学、文献学的研究成果和研究方法,对莆田湄洲岛妈祖祭典音乐进行分析,探索其文化内涵和旅游价值,提出湄洲岛妈祖祭典音乐文化与旅游产业深度融合发展的建议。The music of the Mazu Festival in Meizhou is rich in content,distinctive in features and varieties.Most of its music genres are still"raised in a boudoir and unknown to people".Although some types of music are known to the world,there is no related tourism development.This paper adopts the vision of music sociology and ethnomusicology,and draws on the research results and research methods of linguistics and philology.The research analyzes the music ontology of the Mazu ritual on Meizhou Island,and explores its cultural connotation and tourism value.At the same time,the research puts forward suggestions for the in-depth integration and development of the music culture and tourism industry of the Mazu Festival on Meizhou Island.

关 键 词：妈祖 音乐文化 旅游 融合 湄洲岛 

分 类 号：J607[艺术—音乐] F592[经济管理—旅游管理]