丁善德《第二新疆舞曲》演奏特点及民族性研究  

Ding Shande's Performance Characteristics and Ethnicity of"Second Xinjiang Dance Music"

作　　者：张静文[1] ZHANG Jing-wen(School of Music Education,Shenyang Conservatory of Music,Shenyang 118000,China)

机构地区：[1]沈阳音乐学院音乐教育学院,辽宁沈阳118000

出　　处：《赤峰学院学报（哲学社会科学版）》2023年第2期63-66,共4页Journal of Chifeng University：Philosophy and Social Science Chinese Edition

基　　金：2021年辽宁省教育厅高等学校本科研项目“融媒体时代辽宁钢琴艺术传播机理及路径研究”(LJKR0488)。

摘　　要：丁善德在钢琴作品方面的成就为我们提供了一个光辉的榜样,其代表作《第二新疆舞曲》不仅展现了中华民族的音乐文化,在钢琴技法运用上也有独特的造诣。丁善德将新疆民歌艺术与西洋钢琴曲创作技法相融合的作曲方法极大地体现了新疆地区的民族特色和文化底蕴,赋予了新疆地区民歌旋律以新的蕴意。研究《第二新疆舞曲》的创作、演奏特点以及作品的民族性,对传承中华民族文化、探索钢琴音乐创新路径都具有十分重要的实践和指导意义。Ding Shande's achievements in piano works provide us with a brilliant example,and his representative work"Second Xinjiang Dance Music"not only shows the Chinese national music culture,but also has a unique achievement in the skillful use of piano techniques.Ding Shande's composing method of integrating the art of Xinjiang folk songs with the creation techniques of Western piano music greatly reflects the ethnic characteristics and cultural heritage of Xinjiang and gives new meaning to the melodies of folk songs in Xinjiang.Studying the creation and performance characteristics of"Second Xinjiang Dance Music"and the nationality of the works are of great practical and guiding significance for inheriting Chinesenational culture and exploring the innovative path of piano music.

关 键 词：丁善德 《第二新疆舞曲》 演奏特点 民族性 

分 类 号：J624[艺术—音乐] J614