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作 者:隋晓荻[1] 张韵 SUI Xiaodi;ZHANG Yun(School of Foreign Languages,Dalian University of Technology,Dalian 116000,China)
机构地区:[1]大连理工大学外国语学院,辽宁大连116000
出 处:《长春大学学报》2023年第3期32-38,共7页Journal of Changchun University
基 金:辽宁省哲学社会科学规划基金项目(ZX20220427);辽宁省社会科学基金重点项目(L17AWW003)。
摘 要:为解决人类中心主义的认识论难题,伍尔夫在小说叙事活动中采用了一种超感官知觉叙述策略。这种叙述策略,把人的审美体验从纯粹的、主观化的感官域扩充至非感官域的超感官知觉域,她的每部小说在构成上也因此展现为从繁杂和割裂的自存性叙事转向综合和协同的依存性叙事。在《海浪》和《弗勒希小传》里,她力图用超感官知觉叙述的同质化功能,去谋求人与世界的共存;在《达洛卫夫人》和《到灯塔去》里,她力图用超感官知觉叙述的连续化功能去谋求人与集体的共通;在《远航》和《奥兰多传》里,她力图用超感官知觉叙述的统一化功能,去谋求人与自身的共融。伍尔夫采用超感官知觉叙述,其目的是克服西方现代性意义上的人类中心主义局限及其多重二元分裂性后果。In order to solve the epistemological problem of anthropocentrism,Woolf employs an extra sensory perception narrating strategy in the narrative activities of her novels.This narrating strategy expands individual s aesthetic experience from a pure,subjective sensory realm to the non-sensory realm of extrasensory perception,and the composition of each of her novels thus presents from a multiple or separate self-existent narration to a comprehensive or cooperative narration.In The Waves and Flush,she tries to use the homogenous function of extra sensory perception narrating to seek the coexistence between man and the world;In Mrs.Dalloway and To the Lighthouse,she tries to use the continuous function of extra sensory perception narrating to seek the commonality between man and the community;In The Voyage Out and Orlando,she tries to use the unified function of extra sensory perception narrating to seek the integration between man and himself.Woolf adopts the extra sensory perception narrating,which aims to overcome the limitations of anthropocentrism in the sense of western modernity and its multiple dualistic and divisive consequences.
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