风景的诗学审视——论郁达夫《迟桂花》的风景书写与诗意叙事  

Poetic Examination of Landscape——On the Landscape Writing and Poetic Narration of Yu Dafu’s Late Osmanthus

作　　者：贺泽岚 HE Zelan(School of Arts,Guizhou Normal University,Guiyang Guizhou 550025)

机构地区：[1]贵州师范大学文学院,贵州贵阳550025

出　　处：《兴义民族师范学院学报》2022年第6期19-23,共5页Journal of Minzu Normal University of Xingyi

摘　　要：风景书写是郁达夫研究中一个不可忽视的命题,诗意叙事模式亦是郁达夫创作小说的一种美学风格,以郁达夫的小说《迟桂花》为研究中心,对其笔下的“风景”进行探究,从自然风景中解读以人作为隐喻风景的存在,并将人与自然放置在同一文化空间里相互凝视,而郁达夫诗意的叙事审美也在对现实的消解中,将风景与个体生命作形而上的对话联结,进而表达出他对人与自然高度追求的精神诗学。Landscape writing is a proposition that cannot be ignored in Yu Dafu’s research,and poetic narrative mode is also an aesthetic style of Yu Dafu’s novels.The article with Yu Dafu novel "late osmanthus",explore his "scenery",interpretation from the natural landscape to man as the metaphor of landscape,and put man and nature in the same cultural space.Yu Dafu poetic narrative aesthetic also in the digestion of reality,the landscape and individual life as metaphysical dialogue,and then express his high pursuit of man and nature spiritual poetics.

关 键 词：郁达夫 迟桂花 风景书写 诗意叙事 

分 类 号：I207.42[文学—中国文学]