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作 者:王小盾[1] 郑大赐 WANG Xiaodun;ZHENG Daci(School of Humanities,Wenzhou University,Wenzhou,China 325035)
出 处:《温州大学学报(社会科学版)》2023年第1期1-11,共11页Journal of Wenzhou University:Social Science Edition
基 金:国家社会科学基金重点项目(21AZW014)。
摘 要:《乐府诗集》是一部特殊的文学典籍。从“入乐”的角度看,它的编纂目的是保存清乐时代的乐府诗及其在唐代的回响,因而其中收藏了音乐与文学的多样关系。从“乖调”的角度看,它表明中国古代作家的文学创造是在音乐激励下进行的;通过同音乐相互作用,拟乐府诗完成了它的独立。《乐府诗集》研究今已采用区别于一般古典文学研究的方法,诸如:注意文学形态的丰富性,考察乐府诗作为诗、作为歌、作为吟诵辞的存在;用新的模式书写中国文学史,既重视文学与音乐相结合的过程,又重视两者相疏离的过程;从体性、体制、体式等不同角度分析诗体,将文体学引入较深的层次。这种以《乐府诗集》的立场为立场、以《乐府诗集》的结构为思想路线的研究工作,使作为对象的《乐府诗集》呈现出作为方法的意义。The Collection of Yuefu Poetry is a special literary classic.From the perspective of“Poem-styled music”,it was compiled for the purpose of preserving the Yuefu poems of the Qingshang music era and their echoes in the Tang Dynasty,thereby storing the diverse relationships between music and literature.From the perspective of“Out of tune”,it shows that the literary creation of ancient Chinese writers was inspired by music;through its interaction with music,the poetry completes its independence.The study of The Collection of Yuefu Poetry has now adopted methods that are different from those adopted in the general classical literature research,such as paying attention to the richness of literary forms;investigating the existence of The Collection of Yuefu Poetry as poetry,as songs,and as chants;writing the history of Chinese literature with a new pattern,attaching importance to the process of combining literature and music and the process of alienation between literature and music as well;analyzing the poetic style from different perspectives of the character,the system,and the form etc.to lead stylistics to a deeper level.This kind of research work,which takes as its standing the standing of The Collection of Yuefu Poetry and as its ideological line the structure of The Collection of Yuefu Poetry,makes The Collection of Yuefu Poetry as the object take on the significance as a method.
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