宗教仪式·人物谱系·文艺形态——目连孝行故事在地化传播的三大表现  

Religious Ceremony, Character Pedigree, Literary Form:Three Manifestations of Stories of Mulian’s Filial Piety in Localized Communication

作　　者：李小荣[1] 米文靖 LI Xiao-rong;Mi Wen-jing(College of Literature,Fujian Normal University,Fuzhou 350007,Fujian,China)

机构地区：[1]福建师范大学文学院,福建福州350007

出　　处：《石河子大学学报（哲学社会科学版）》2023年第1期105-115,共11页Journal of Shihezi University(Philosophy and Social Sciences)

基　　金：国家社科基金重大招标项目“敦煌佛教文学艺术思想综合研究(多卷本)”(19ZDA254)。

摘　　要：目连孝行故事是中国古代佛教文学最常见的题材之一。若从在地化传播视角分析,其突出表现有三:一者宗教仪式方面,与之有密切关系的盂兰盆会、中元节,是从并行不悖到混融互用;二者人物谱系方面,是从单一家庭结构到家族的扩大化;三者文艺形态方面,是从宗教讲唱到戏艺展演。Stories of Mulian’s Filial Piety in one of the most popular topics in ancient Chinese Buddhist literature.Analyzed from the perspective of geochemical communication, the storieshas three manifestations: firstly, in terms of religious ceremony, they startedas parallel evolution and ended asintegration and mutual drawing with such closely related festivals as Obon Festivaland Hungry Ghost Festival;secondly, in terms of character pedigree, they show the enlarging tendency from a single family to family clan;thirdly, in terms of literary form, they include such forms as religioussinging and artistic performance.

关 键 词：目连孝行故事 在地化传播 宗教仪式 人物谱系 文艺形态 

分 类 号：I207.7[文学—中国文学]