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作 者:裴亚蒙 PEI Yameng(School of Arts,Shanxi Normal University,Taiyuan 030032,China)
出 处:《中北大学学报(社会科学版)》2023年第2期13-18,26,共7页Journal of North University of China:Social Science Edition
基 金:山西省研究生创新项目:山西红色报刊文艺史料整理和研究(2021Y450);山西师范大学文学院2022年度“一人一绝招”项目:山西抗战文艺史料整理与研究
摘 要:抗日战争全面爆发后,《西线文艺》作为抗日民族统一战线下以阎锡山为代表的国民党创办的文艺期刊,在进步人士的控制下,凝聚各地作家队伍,刊载了诗歌、小说、散文、话剧和插画等多种文体作品,推动战地文艺的发展,加强了文化工作者的统一战线。它在战火纷飞的西线战场艰难存生,发展壮大,呈现出全面抗战爆发后西线战场的文艺面貌,具有强烈的战斗色彩,对教育人民、动员人民、联合抗日起到了积极宣传作用。After the outbreak of the All-Out Resistance Against Japanese Aggression,Western Front Literature founded by Yan Xishan,a local Kuomintang governor in Shanxi,was under the control of progressives,and many writers across the country published poems,novels,essays,dramas and illustrations in this journal,which promoted the development of literature and art in the battlefield and strengthened the united front among cultural workers.Western Front Literature was established and developed in the wartime,reflected the situations of the literature in the western battlefield and played a positive role in educating and mobilizing the people,and uniting all groups of the Chinese people to resist against the Japanese aggression.
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