甄宝玉与贾宝玉意义指涉的多元性  

Zhen Baoyu and Jia Baoyu:the Diversity of Meaning Reference

作　　者：张迎 ZHANG Ying(Qufu Normal University,Qufu 273100,China)

机构地区：[1]曲阜师范大学文学院,山东曲阜273100

出　　处：《扬州教育学院学报》2022年第4期24-27,32,共5页Journal of Yangzhou College of Education

摘　　要：《红楼梦》第一百一十五回中,贾宝玉与自己容貌颇为相似的甄宝玉相遇。甄宝玉的出场在弥合第一作者人物架构的基础上,也生发出第二作者充满个体情怀的文本期待和创作意图。甄宝玉作为贾宝玉的镜像而存在,是贾宝玉人格结构的另一面呈现。截然相反的人生选择,却都指向悲剧。两者之间的关联既有文本之内的联结,又体现文本之外作家本体的心理矛盾,呈现出意义指涉的多元性。In Chapter 115 of A Dream of Red Mansions, Jia Baoyu meets Zhen Baoyu, who resembles him in appearance. After meeting the construction of character framework as the first author, Zhen Baoyu’s appearance also gives birth to the text expectation and creative intention of the second author full of individual feelings. Zhen Baoyu, as a mirror image of Jia Baoyu, is another aspect of his personality framework. Their complete opposite life choices both lead to tragic endings. Their correlation is not only contextual, but also the psychological contradiction of the author outside the text, thus taking on the pluralism of meaning reference.

关 键 词：《红楼梦》 甄宝玉 贾宝玉 镜像 意义指涉 多元性 一体两面 

分 类 号：I207.411[文学—中国文学]