宋代川杂剧渊源新考  

A New Study on the Origin of Sichuan Zaju in the Song Dynasty

作　　者：刘叙武[1] LIU Xuwu

机构地区：[1]西南大学文学院

出　　处：《戏剧艺术》2023年第1期121-132,共12页Theatre Arts

摘　　要：川杂剧是南宋禅僧大觉禅师《马大师与西堂百丈南泉玩月》诗中记述的宋代杂剧地方品种,形成时间不晚于南宋中期,由演员戴上神头鬼面面具或进行特殊面部化妆演出,具有强烈逗乐效果。以宣扬佛教教义为内容的神佛杂剧应是借鉴了川杂剧形式,演出形态为肉傀儡戏。大觉禅师或许亲身参与了演出,地点在四川成都大慈寺内,时在1225年至1233年间。川杂剧具有不同于北宋中原杂剧和南宋官本杂剧、温州杂剧的特征,应是在爨弄与中原杂剧共同影响下形成的。Described in the poem“Master Ma Admiring the Moon with Xitang,Baizhang and Nanquan”written by Monk Dajue of the Southern Song Dynasty,Sichuan Zaju is a local variety of Zaju in the Song Dynasty,which is formed no later than the middle of the Southern Song.In performance,the actors wear masks of supernatural figures or special facial make-up for the purpose of strong amusement.Shenfo Zaju,which aims to promote Buddhism in the form of body puppet play,must have learned from Sichuan Zaju.From 1225 to 1233,Monk Dajue might have personally participated in the performance in the Daci Temple in Chengdu,Sichuan.Sichuan Zaju is different from Zhongyuan Zaju in the Northern Song Dynasty or Guanben Zaju and Wenzhou Zaju in the Southern Song Dynasty.It must have been formed under the joint influence of Cuan Nong and Zhongyuan Zaju.

关 键 词：川杂剧 宋杂剧 神佛杂剧 肉傀儡戏 爨弄 

分 类 号：J80[艺术—戏剧戏曲]