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作 者:赵彦[1] Zhao Yan(Xiamen University Tan Kah Kee College,Zhangzhou 363105,China)
出 处:《艺术与设计(理论版)》2023年第2期131-134,共4页Art and Design
基 金:闽南社区社会变迁的文化记忆和载体研究.项目编号:JAS19494.项目来源:省教育厅社科项目.一级学科:社会学.二级学科:文化社会学。
摘 要:文章从学理的层面出发,以茶器使用过程中交互体验的相关实际情况为依据,深化和探讨了交互体验所涉及的行为、仪式、文化经验、语义、存在形式、用户感知、器物的本质等相关的内容与关联。分析并提出了在行为与仪式层面,以及文化语义的精神交互形态下,茶器相关交互体验的若干可能性、思辨逻辑及其理论。在学理上从交互体验的成因,所涉要素的溯源性讨论等入手,并引入了相应的文化体系、形式、关联等进行推论、分析并解读,尝试提出一种基于形而上美学语境的,具有设计研究意义的理论;更希望透过各种表象和纷杂的文化理念还原到器物本身与人的种种交集,求其本源,从而得出可以在学理范围内对设计文化起到启发与指引作用的结果。Starting from the theoretical level and based on the relevant actual situation of interactive experience in the use of tea utensils,this paper deepens and discusses the relevant contents and relationships involved in interactive experience,such as behavior,ceremony,cultural experience,semantics,existence form,user perception,the essence of utensils and so on.This paper analyzes and puts forward some possibilities,speculative logic and theories of tea related interactive experience at the level of behavior and ceremony,as well as the spiritual interaction form of cultural semantics.Starting from the discussion of the causes of interactive experience and the traceability of the elements involved,it introduces the corresponding cultural system,formal relevance and inference for analysis and interpretation,This paper attempts to put forward a metaphysical theory based on the significance of design research,and hopes to restore the intersection between the implement itself and people through various representations and complex cultural ideas,so as to seek its origin,so as to draw the results that can inspire and guide the design culture at the theoretical level.
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