黔东苗族服饰的历史演变与创新发展研究  

Research on the Historical Evolution and Innovative Development of Miao Costume in Eastern Guizhou

作　　者：段知力[1] DUAN Zhi-li(Arts and Design College,Hunan City University,Yiyang 413000,Hunan,China)

机构地区：[1]湖南城市学院美术与设计学院,湖南益阳413000

出　　处：《贵阳学院学报（社会科学版）》2023年第1期83-88,共6页Journal of Guiyang University:Social Sciences

基　　金：2021年度国家教育部人文社会科学研究规划基金项目“五溪流域苗族服饰历史演变与创新发展研究”(项目编号:21YJA760015)。

摘　　要：在世界民族服饰史上,苗族服饰无疑是最为丰富多彩、鲜艳夺目的,其精湛的制作技艺、丰富的文化内涵、艳丽的色彩、奇特的造型为世人所称道。苗族支系众多,由于各个支系所处的地理环境不同,其服饰、生活习俗也表现出一定的差异性。黔东苗族属于红苗支系的一支,在漫长的历史演变过程中,逐渐形成了有别于其他支系的服饰文化。近年来,黔东苗族服饰出现了衰退的迹象,需要从价值观念、审美观念、用料观念几个方面创新,确保黔东苗族服饰的传承与发展。Of all ethnic costumes in the history in the world,Miao costume is undoubtedly the most colorful and dazzling.Its exquisite production skills,rich cultural connotation,gorgeous colors and unique shapes are well-known around the world.However,because there are many sub-branches of the Miao nationality,their different geographical environment leads to the difference in their clothing and living customs.As a sub-branch of Hong Miao branch,Miao nationality in Eastern Guizhou has gradually developed a unique costume culture.In recent years,the development of their costume culture has shown signs of decline.This paper proposes that innovation from the aspects of value concept,aesthetic concept and material concept is necessary to ensure its inheritance and development.

关 键 词：苗族服饰 历史演变 现代转型 

分 类 号：C951[社会学—民族学]