“像似性”体认思维方式与古代诗文创作、接受  

The Thinking Mode of Iconicity and the Creation and Reception of Ancient Poetry

作　　者：朱宏胜[1] ZHU Hong-sheng(School of Literature,Huangshan University,Huangshan,Anhui,245041,China)

机构地区：[1]黄山学院文学院,安徽黄山245041

出　　处：《西华大学学报（哲学社会科学版）》2023年第2期42-49,共8页Journal of Xihua University(Philosophy & Social Sciences)

摘　　要：作为第二次启蒙文化背景下的有机语言学在中国的新发展形态,体认语言学提出了“现实—认知—语言”核心原则和“像似性”语源学基本原则。在此理论视野下,文章发现,随着人类文明的发展进步,人类会在自觉与不自觉之间,逐步形成“像似性”体认思维方式,此种现象在使用象形文字的中国尤为突出。从《诗经》的赋比兴、春秋时期的赋诗言志到楚辞的比兴象征,从汉魏辞赋的“联边”辞修,到后代的“联边诗”甚至是“神智体”诗的出现,率皆为“像似性”体认思维方式影响下极具民族特色的艺术结晶。Embodied-cognitive Linguistics,which is a new development form of organic linguistics in China under the cultural background of the Second Enlightenment,puts forward the core principle of "Reality-Cognition-Language",and the fundamental principle of iconicity in etymology.In the perspective of the theory,this paper have found that people is affected by the language philosophy thinking in the process of civilization development,and gradually formed experience mode of iconicity thinking.This influence is especially prominent in ancient China where pictograph is commonly used.The influence is involved in the range from poetry expressing methods of Fu-Bi-Xing in The Book of Songs and quote a poem to express an idea in the Spring and Autumn Period to the BiXing symbol of the Songs of South,and from the Lian-Bian rhetoric of Ci-Fu in the Han and Wei dynasties to the emergence of LianBian poetry and even Shen-Zhi style poetry of following generations.All these types of literature mentioned above are all artistic crystallization with Chinese characteristics under the influence of "iconicity" cognitive thinking mode.

关 键 词：体认语言(哲)学 “像似性”体认思维方式 古代诗文 《诗经》 楚辞 

分 类 号：H15[语言文字—汉语]