论《词觏》和《词觏续编》的词律观  

On the View of the Rhythm of Ci in Ci Gou and The Sequel of Ci Gou

作　　者：陶风风 TAO Feng-feng(School of Chinese Language and Literature,Hebei Normal University,Shijiazhuang,Hebei 050024,China)

机构地区：[1]河北师范大学文学院,河北石家庄050024

出　　处：《河北北方学院学报（社会科学版）》2022年第6期11-15,共5页Journal of Hebei North University：Social Science Edition

摘　　要：《词觏》和《词觏续编》是傅燮詷于顺康时期编选的两部应歌型词选,具有重要的订谱功能。傅燮詷不仅从破体与辨体两方面推尊词体,还严格按谱选词,坚持以“今词之句法字法求合于古词之句法字法”,并强调文采与识音律的重要性,他推崇周邦彦和柳永为填词的取法对象,对格律、词韵和字声等方面提出了具体可行的创作手法。这两本书在清词中兴发展史上的作用和影响巨大。Ci Gou and The Sequel of Ci Gou are two selections of ci compiled by Fu Xietong in the period of Shunkang in response to songs,which have an important function of editing music.Fu Xietong not only respects the style of ci from the two aspects of breaking and distinguishing,but also selects words strictly according to the spectrum,sticking to the idea that the syntax of modern ci is consistent with that of ancient ci and emphasizing the importance of literary skills and rhythm recognition.He praises Zhou Bangyan and Liu Yong as the examples for wording and puts forward specific and feasible methods in terms of the creation of meter,rhyme,sound,etc.,which plays an important role in the history of the resurgence and development of ci in the Qing Dynasty.

关 键 词：《词觏》 《词觏续编》 词律 清词中兴 

分 类 号：I206.2[文学—中国文学]