从问题域看马克思文艺思想的文本构成  

On the Text Constitution of Marx’s Literary Thought from the Perspective of Problem Sphere

作　　者：王丹[1] 赵阳 WANG Dan;ZHAO Yang(Xinyang Normal University,Xinyang,Henan 464000,China)

机构地区：[1]信阳师范学院,河南信阳464000

出　　处：《重庆三峡学院学报》2023年第2期89-101,共13页Journal of Chongqing Three Gorges University

基　　金：国家社会科学基金一般项目“文学语言批评的问题意识与知识构成研究”(21BZW045)。

摘　　要：资本和现代社会之间的关系,是马克思整体理论研究的问题域,他对文学艺术的思考与研讨也是在其中得以展开的。在这一问题域的规约下,那些貌似与文学艺术无关的、研究其他问题的理论话语,成了理解马克思文艺思想的知识语境。正是在这种层级演进的相互关联中,马克思关于文艺问题的言说才真正作为展现其文艺思想的有机文本构成而存在,并因此具有互文结构。辩证把握这一内在逻辑关联,不仅有助于把握马克思文艺言说的完整意涵,也为有效读解马克思的文艺之思,科学看待百余年来出现的各种马克思主义文艺理论形态,提供一条切实可行的跨学科途径。The relationship between capital and modern society is the problem sphere of Marx’s overall theoretical research. Marx’s thinking and discussion on literature and art are also carried out in it.Under the rules of the problem sphere, those theoretical discourses on other issues which seem to have nothing to do with literature and art have become the knowledge context for understanding Marx’s literary thought. It is in the interrelation of this hierarchical evolution that Marx’s discourse on literature and art really exists as the organic text composition showing his literary thought, and therefore has the intertextual structure. A dialectical grasp of this internal logical connection will not only help to grasp the complete meaning of Marx’s literary discourse, but also provide a practical and feasible interdisciplinary approach for the effective interpretation of Marx’s literary, thinking and scientifically view various forms of Marxist literary theoretical forms that have emerged over the past century.

关 键 词：马克思 问题域 文艺 思想 构成 

分 类 号：A81[哲学宗教—马克思主义哲学]