论胡献雅对景德镇陶瓷美术教育、创作与观念的贡献  

On Hu Xianya’s Contribution to Jingdezhen Ceramic Art Education, Creation and Concept

作　　者：陈露[1] Chen Lu

机构地区：[1]南昌师范学院

出　　处：《中国陶瓷工业》2022年第6期78-83,共6页China Ceramic Industry

基　　金：江西省文化艺术科学规划项目(YG2018072)。

摘　　要：胡献雅是20世纪江西美术史上一位重要的美术家与美术教育家,他在1958年参与创建景德镇陶瓷学院之后开始进行陶瓷美术实践,对景德镇陶瓷的创新发展作出了重要贡献。在陶瓷美术教育领域,他探索出一条基于中国画艺术的陶瓷美术人才培养路径。在陶瓷美术创作方面,他较早地以大写意风格创新陶瓷装饰画面。他所提倡的创新、民间趣味、朴素为美等观念也为景德镇陶瓷积蓄了理论资源。特别是在景德镇陶瓷的传承与创新发展中,胡献雅的陶瓷美术实践仍有着积极的启发性价值。As an important artist and art educator in the history of Jiangxi art in the 20th century, Hu Xianya began to practice ceramic art after he participated in the establishment of Jingdezhen Ceramic Institute in 1958. He has made important contributions to the innovative development of Jingdezhen ceramics. In the field of ceramic art education, he explored a training path for ceramic art talents based on Chinese painting. In ceramic art creation, he first innovated ceramic decorative pictures in a large freehand brushwork style.His ideas of innovation, folk interest and simplicity also accumulated theoretical resources for Jingdezhen ceramics. Especially in the inheritance and innovative development of Jingdezhen ceramic, Hu Xianya’s ceramic art practice still has positive enlightening value.

关 键 词：胡献雅 陶瓷美术教育 陶瓷美术创作 陶瓷美术观念 景德镇 

分 类 号：J527[艺术—艺术设计]