生活美学视域下宋代耀州窑陶瓷审美研究  

Aesthetics of Yaozhou Kiln Ceramics in Song Dynasty from the Perspective of Life Aesthetics

作　　者：高黎[1] 陈亚兰 GAO Li;CHEN Yalan(Shaanxi University of Science and Technology,Xi'an710021,Shaanxi,China)

机构地区：[1]陕西科技大学,陕西西安710021

出　　处：《陶瓷学报》2023年第1期176-181,共6页Journal of Ceramics

基　　金：陕西省艺术科学规划项目(SY2021009)。

摘　　要：宋代是传统制瓷工艺发展的鼎盛时期,宋瓷器型简洁,端庄典雅,含蓄内敛,给人恬淡宁静之美。宋代耀州窑陶瓷,不仅造型优美大方,而且釉色纯正自然,刻花工艺也独具匠心。主要从耀州窑陶瓷“取之自然,用之生活”和“雅俗共赏,兼容并蓄”及“艺术生活化”与“生活艺术化”三个方面探讨其生活化的美学特征,从器型、纹饰分析耀州窑陶瓷“物以致用”和“制器尚象”的制器理念以及生活化的艺术审美。The Song Dynasty was the heyday of the development of traditional porcelain techniques. Song porcelain was simple, dignified and elegant, implicit and restrained, giving people the beauty of tranquility. Yaozhou Kiln of the Song Dynasty not only has a beautiful and generous shape, but also has pure and natural glaze color and unique carving technology. The aesthetic characteristics of Yaozhou Kiln ceramics are discussed from three aspects: “taking the nature and living with it” “appreciating both refined, popular and inclusive”“artistic life” and “artistic life”. Also, the concept of making Yaozhou Kiln ceramics was analyzed from the perspective of “objects are used” and “making objects is like”, as well as the artistic aesthetics of living.

关 键 词：生活美学 耀州窑陶瓷 器型纹饰 审美 

分 类 号：TQ174.74[化学工程—陶瓷工业]