从《白夜》看毕飞宇现实主义创作在文革题材中的发轫  

The Start of Bi Feiyu’s Realistic Creation in the Cultural Revolution Theme from the Perspective of The White Night

作　　者：陈晓雪 CHEN Xiao-xue(School of Liberal Arts,Qufu Normal University,Qufu Shandong 273100,China)

机构地区：[1]曲阜师范大学文学院,山东曲阜273100

出　　处：《菏泽学院学报》2023年第1期109-113,共5页Journal of Heze University

摘　　要：以三十岁为分界,毕飞宇前期与后期的创作显现出迥然不同的风格。在经历转型期后,毕飞宇将视线对焦于现实主义创作,并以《白夜》为起点在文革题材的写作道路上形成了自己独树一帜的风格。他将儿童时期的经历放置于小说中,不仅还原了时代的现实图景,同时也深含作家对自身的反思与忏悔。而作品《白夜》也正是透过时代记忆中厚重的意象才得以让现实主义的创作理念在当代文学中焕发出真正的光芒。With the age of 30 as the dividing line, Bi Feiyu’s early and late works show a very different style. After experiencing the transformation period, Bi Feiyu has focused his attention on realistic creation and formed a unique style in the Cultural Revolution theme starting with The White Night. The writer puts the experience of his own childhood in the novel, which not only restores the actual picture of the times, but also contains his reflection and repentance on himself. It is through the thick images in the memory of the times that The White Night makes the realistic creative idea glow in contemporary literature.

关 键 词：《白夜》 毕飞宇 现实主义 发轫之作 

分 类 号：I207.425[文学—中国文学]