再现与修复:电影《养家之人》中的创伤书写  

Reappearance and rehabilitation:On the trauma writing in the film The Breadwinner

作　　者：彭凤玲[1] 肖寒 Peng Fengling;Xiao Han

机构地区：[1]西安交通大学外国语学院 [2]华中科技大学外国语学院

出　　处：《西安外国语大学学报》2022年第4期112-116,共5页Journal of Xi’an International Studies University

摘　　要：改编自儿童文学作品《帕瓦娜的守候》的动画电影《养家之人》采用“戏中戏”的双线叙事结构,以塔利班统治之下战乱频发的阿富汗为背景,以主人公帕瓦娜及其家人朋友因战争遭受的创伤问题贯穿全片。以帕瓦娜一家的创伤体悟作为聚焦点,以小见大地呈现种种创伤对阿富汗人的摧残,从家庭创伤的失去至亲之痛揭示个体的生命价值,从战争创伤的颠沛流离之痛诠释家园的归属意义,从记忆创伤的“言说”与“讲述”凸显叙事的治愈力量。影片中,人们所受创伤与其修复过程中面临的外在与内在导致的再现危机,既揭露了现代性暴力对人类造成的深刻伤害,又展现了叙事策略之于创伤修复的作用,体现出对战争的反思亦是对整个人类生存与记忆的共性思考。Adopting a two-line narrative structure of “story within a story”,the animated film The Breadwinner,which is adapted from Deborah Ellis’ children’s fiction The Breadwinner,takes war-torn Afghanistan under Taliban rule as the background,and the trauma suffered by the protagonist Parvana and her family as well as friends due to the war runs throughout the film.The traumatic experience of Parvana’s family is the focus of the film,presenting the devastation of various trauma on Afghans in a small way,revealing the individual’s life value from the pain of losing loved ones in family trauma,interpreting the significance of belonging to home from the pain of displacement in war trauma,and highlighting the healing power of the narrative from “speaking” and “telling” in memory trauma.In the film,the trauma people suffered and the external and internal crisis of reappearance they faced on the road to recovery,not only reveal the profound damage caused by the violence of modernity to human beings,but also demonstrate the role of narrative strategy in trauma rehabilitation,manifesting that the reflection on war is a common thought about the survival and memory of human beings as a whole.

关 键 词：《养家之人》 家庭创伤 战争创伤 记忆创伤 创伤修复 

分 类 号：I711[文学—其他各国文学]