《漫长的告白》:生活在别处,心灵在此处——张律访谈  被引量:3

Life Is Elsewhere,Soul Is Here:An Interview with Zhang Lü,the Director of Yanagawa

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作  者:张律(受访) 徐枫(采访)[2] Xu Feng

机构地区:[1]韩国延世大学 [2]中央戏剧学院

出  处:《电影艺术》2023年第1期97-103,共7页Film Art

摘  要:张律电影创作以《豆满江》为划分点,之前为童年主题,之后为爱情叙事。极具中国传统特征的日本城市为他的爱情叙事提供空间。他一方面采用传统的单机拍摄方式,另一方面实践了剧作、场面调度和演员指导的多维度现场即兴创作方法。张律强调顺应演员本色特征以完成其开放和暧昧的人物演绎。《漫长的告白》中的小城柳川成为主人公们寄托他们记忆、创伤和爱情的场所。场面调度在直觉中沉淀深层的风格与表意性,声音则在精心制作与自然随意之间取得了平衡。Yanagawa is the watershed between Zhang Lü’s first films about childhood and his recent films about love.Some Japanese cites with Chinese traditional style give him his narrative space of love.His shooting is traditional with one camera however he practices his improvisational line for the scriptwriting,mise en scène and actors directing.He follows the actors’own characters to realize his open and ambiguous roles.In Yanagawa,the city of Yanagawa become the place to introduce his figures’memories,traumas and loves.His intuitive mise en scène is profoundly personal,esthetic and significant.His soundtrack has a balance between the precise making and natural liberty.

关 键 词:直觉 自觉 空间 调度 声音 

分 类 号:I20[文学—中国文学]

 

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