再论偏正复合词的语义关系——以敦煌歌辞为例  

Discuss the Semantic Relationship of Compound Words——Take Dunhuang Songs as an Example

作　　者：王远 Wang Yuan(Beijing Literature Language and Cultural Heritage Research Center,Beijing Language and Culture University,Beijing 100083,China)

机构地区：[1]北京语言大学北京文献语言与文化传承研究基地,北京100083

出　　处：《现代语文》2023年第2期26-36,共11页Modern Chinese

基　　金：北京语言大学研究生创新基金暨中央高校基本科研业务费专项基金项目成果“敦煌歌辞偏正复合词语义关系研究”(20YCX004)。

摘　　要：以敦煌歌辞中所出现的偏正复合词为研究语料,在语素义和语素义—词义两个层面的基础上,深入探讨偏正复合词的语义配合机制。研究显示,偏正复合词中偏语素及正语素的语义配合规律表现为:组合意义=[表义素]×[类义素],其下可以细分为3大类23小类。其整体词义的生成可以划分为直接生成式、半直接生成式和非直接生成式。其语义呈现受到人类认知中象似性原则的直接影响。Based on morpheme meaning and morpheme meaning-word meaning, this paper probes into the semantic coordination mechanism of the biased compound words in Dunhuang lyrics. The results show that the semantic coordination rule of the positive morpheme and the partial morpheme in the compound words is: combinatorial meaning = [eponymous]×[sememe-like], which can be subdivided into 3 major categories and 23 minor categories. Its whole meaning can be divided into direct generation, semi-direct generation and indirect generation, and its semantic presentation is directly affected by the iconicity principle in human cognition.

关 键 词：偏正复合词 敦煌歌辞 语素义 语素义—词义 语义机制 

分 类 号：H13[语言文字—汉语]