宋代仕女图像对“理想女性”的设定  

The Setting of "Ideal Woman" in the Image of a Lady in the Song Dynasty

作　　者：苏丹 Su Dan

机构地区：[1]南京晓庄学院美术学院,江苏南京211171

出　　处：《南京艺术学院学报（美术与设计）》2023年第1期26-32,I0002,共8页Journal of Nanjing Arts Institute:Fine Arts & Design

基　　金：教育部人文社科研究项目《道德关怀与身份识别:南宋“闺阁”题材图像的文化隐喻研究》(19YJA760017)阶段性研究成果。

摘　　要：宋人对女性贞节道德的要求日趋严紧,各类妇德标准见于人们日常生活,文人歌颂女性容貌与才情的诗词歌赋更是举不胜举。宋代仕女画与仕女图像所呈现出的理想女性形象,隐含了男性在儒家礼教束缚与人性欲望交织之中对女性的矛盾心理。在具体的图像表现上,这些作品常常表现为多重标准的杂合。The Song Dynasty had increasingly strict requirements on women’s chastity and morality.Various standards of women’s morality can be seen in people’s daily life,and there were numerous poems written by scholars praising women’s appearance and talent.The ideal female images presented in the ancient paintings of Chinese ladiesin the Song Dynasty implied the ambivalence of the males towa rds the females in the interweaving of the Confucian moral bondage and human desire.In the concrete image expression,these works were often presented as a hybrid of multiple standards.

关 键 词：理想女性 宋代 仕女图像 

分 类 号：J209[艺术—美术]