艺术交融与中华文化认同的视觉表达——以白族民居彩绘艺术为例  

Art Integration and Visual Expression of Chinese Cultural Identity--A Case Study of the Painting Art of Local-style Dwelling Houses of Bai Ethnic Group

作　　者：刘敏 LIU Min

机构地区：[1]大理大学艺术学院

出　　处：《湖北民族大学学报（哲学社会科学版）》2023年第2期32-41,共10页Journal of Hubei Minzu University：Philosophy and Social Sciences

基　　金：国家社会科学基金艺术学重大项目“多民族艺术交融与中华民族认同研究”(20ZD27);云南省哲学社会科学艺术科学规划项目“白族建筑彩绘装饰设计在新农村建设中的实践与策略研究”(A2021YS15)。

摘　　要：建筑彩绘在中国许多民族中都有传承,是中华民族视觉形象的象征符号之一。白族民居彩绘作为一种视觉形象,承载着丰厚的汉族与白族艺术交融信息。白族通过对汉族建筑彩绘艺术的吸收、借鉴、创造与文化意义的转换实现了族际彩绘符号意义的对接与整合。白族民居彩绘艺术所表征的与汉族共享的精神信仰、价值观念与审美情感是二者实现艺术交融背后的持久驱策力,也是构建民族文化认同的集体记忆。通过对白族民居彩绘与汉族建筑彩绘艺术交融的分析,窥视多元与共享的中华视觉形象体系形成的内在规律,为发挥民族民间视觉形象在强化中华文化认同中的作用具有重要意义。Having been inherited among many ethnic groups, architectural painting has been one of the symbols of the visual image of the Chinese nation. As a visual symbol, the painting art local-style dwelling houses of Bai ethnic group carries rich information about the integration of arts of Han and Bai people in both content and form. By absorbing, borrowing, creating and transforming the cultural meaning of the architectural painting art of Han ethnic group, Bai ethnic group has realized the connection and integration of the symbolic meaning of inter-ethnic painting. The spiritual beliefs, values and aesthetic feelings shared by the painting art of local-style dwelling houses of Bai ethnic group and Han ethnic group are not only the lasting driving force behind their artistic integration, but also the collective memory for constructing ethnic cultural identity.Through the analysis of the art integration of painting of local-style dwelling houses of Bai ethnic group and Han architectural painting, this paper reveals the internal law of the formation of diversified and shared Chinese visual symbol system, which is of great significance in making full use of ethnic folk visual image in strengthening Chinese cultural identity.

关 键 词：白族民居彩绘 视觉形象 艺术交融 中华文化认同 

分 类 号：TU253[建筑科学—建筑设计及理论]