唐五代敦煌佛教的隆盛与曲子词的流播及词调的衍生  

The Flourishment of Dunhuang Buddhism,Circulation of Quzi Ci and Derivation of the Style of Lyrics in the Tang and Five Dynasties

作　　者：李博昊 LI Bo-hao(School of Chinese Language and Literature,Beijing Normal University,Zhuhai Campus,Zhuhai 519087,China)

机构地区：[1]北京师范大学珠海分校文学院,广东珠海519087

出　　处：《唐都学刊》2023年第2期35-41,共7页Tangdu Journal

摘　　要：唐五代时期敦煌佛教昌隆,寺学随之逐步兴盛,曲子词遂常被寺中学郎抄写于同佛教有关的写卷之上。这些曲子词常会在佛教活动的表演中歌唱,以吸引民众前来进而宣传教义,此在一定程度上促进了词调的衍生。衍生的词调及其创作常被用来弘扬佛法,有时亦会演变为新的词调,对词体的发展有着推动作用。词体的发生发展与佛教的繁荣有着潜在关联,从敦煌寺学的繁荣及佛教活动乐舞表演的炽盛等角度切入,审视曲子词的流播及词调的发生发展问题,或可更清晰地观见词产生之初的形态,深化对词体演进历程的认知。During the Tang and Five Dynasties,Buddhism prospered in Dunhuang,so temple studies also gradually flourished,students of the temple studies often copied Quzi Ci on Buddhist scrolls.These Quzi Ci were often sung in the Buddhist performances to attract the public to further propagate the Buddhist teachings,which to some extent promoted the derivation of the style of lyrics.These derived lyrics and their creations were often used to promote the Buddha Dharma,and sometimes were also evolved into new lyrics,having played an important role in promoting the development of Ci style.The occurrence and development of Ci style were potentially related to the prosperity of Buddhism.From the perspective of the prosperity of Dunhuang temple studies and the flourishing of Buddhist music and dance performances,we can explore into the circulation of Quzi Ci and the occurrence and development of the style of lyrics or can even have a clearer picture of the initial form of Ci and deepen the understanding of the evolution process of Ci style.

关 键 词：唐五代 敦煌 佛教 曲子词 流播 词调 

分 类 号：K242[历史地理—历史学] K243.1[历史地理—中国史] I207.23[文学—中国文学]