法天象地,物我合一——浅谈元青花瓷的器皿设计观  

Following Heaven and Earth,Combining Things with Me--On the Design of Blue and White Porcelain in the Yuan Dynasty

作　　者：张嘉伟 Zhang Jiawei(Jingdezhen Ceramic University,Jiangxi,Jingdezhen,33403,China)

机构地区：[1]景德镇陶瓷大学,江西景德镇333403

出　　处：《陶瓷》2023年第3期60-62,共3页Ceramics

摘　　要：元青花瓷是多元文化融合的产物,是不同民族生活习俗集结的结晶。与宋代不同,元青花瓷造型上整体呈现出厚重巨大的特点,器物形制的复杂性创新也较多,并兼具了观赏性特征,做到了粗中有细,细中有粗。笔者分析了元青花产生的历史背景和工艺美术时代特征,将从不同的角度解析元青花的器皿设计观。Blue and white porcelain of the Yuan Dynasty is the product of the integration of multiple cultures and the crystal-lization of different ethnic customs.Different from the thin and slim porcelain of the Song Dynasty,the Yuan blue and white porcelain has a huge and thick shape,and the shape of the artifacts is also more complex and innovative,and has both ornamental features,so that it is both rough and thin,and fine and thick.This paper analyzes the historical background of Yuan blue and white and the characteristics of the era of arts and crafts,and will analyze the vessel design concept of Yuan blue and white from different angles.

关 键 词：元代 青花瓷 器皿 

分 类 号：TQ174.74[化学工程—陶瓷工业]