现代性与民族性的裂变:社会伦理片与早期民族性影像的营造  

The Fission of Modernity and National Character:Social Ethical Films and the Creation of Early National Image

作　　者：杨蓥莹 YANG Ying-ying(Sun Yat-sen Univeisity,Zhuhai 519082,China)

机构地区：[1]中山大学,广东珠海519082

出　　处：《山东女子学院学报》2023年第2期96-104,共9页Journal of Shandong Women＇s University

基　　金：国家社会科学基金一般项目“电影文学媒介重塑机制研究”(项目编号:21BZW058)。

摘　　要：电影作为一种社会信息媒介,折射了社会生活的丰富信息。自晚清以来,中国社会历经巨大变迁,社会语境与主导思潮的频频更迭直接推动了时代情绪的变化,尤其凸显在备受市民阶层喜爱的社会伦理片的流变中,而中国传统美学与人伦文化在现代性与民族性的裂变中营造了独特的民族影像的精神纹理。关涉女性问题的思考与两性平等的讨论从知识界发展到电影界,影响了从题材选择、主题锚定到人物塑造的诸多维度,为早期民族性影像打上了鲜明的烙印。As a social information medium,film reflects the rich information close to social life.Since the late Qing Dynasty,Chinese society has undergone great changes.The frequent changes of social context and dominant trend of thought have directly promoted the changes of the mood of the era,especially in the changes of social ethics films favored by citizens.Chinese traditional aesthetics and human relation culture create unique spiritual texture of national image in the fission of modernity and national character.The thinking on women’s issues and the discussion of gender equality developed from the intellectual circle to the film circle,which influenced many dimensions from the selection of subject matter,theme anchoring to character shaping,and put a distinct imprint on the early national images.

关 键 词：社会伦理片 民族性 电影语境 伦理本位 妇女问题 

分 类 号：J951[艺术—电影电视艺术]